The Slow States Wilco Project #93-84
30 Jun
And off we go. Again, note the rules and regulations of this endeavor. Your participation is not only encouraged, but is necessary to the discussion. If you hate the band, kindly move on to the next post or blog in your daily time-wasting ritual.
93. Less Than You Think (A Ghost Is Born)
PV – 93 | CG – 93 | KP – 81
High – KP (81) – I’m not sure it’s really fair that I have to “defend” this one. Chris makes a good point below about Patrick’s rule but honestly I think Tweedy is on to something during the first 1:51 of this. Then the clangs get loud and, well, here we are. Still, as we’ll get to later in the Slow States Wilco Project, I’ll take experimental failure over deliberate lameness.
Low – CG (93) – This was sealed for me the moment Patrick made the “you must consider the entire song” rule in our preliminary discussions. It’s a bit of a shame in a way, as it’s a pretty little three-minute song followed the twelve minutes of piercing buzz which is Jeff Tweedy’s expression of his battle with migraine headaches:
For a lot of that record I was just trying not to be too drugged out and as a result I was suffering from enormous migraine type throbbing pain. Quite a bit of that came out on “A Ghost Is Born.” There is a lot of material that mirrored my condition. In particular there’s a piece of music — “Less Than You Think” — that ends with a 12-minute drone that was an attempt to express the slow painful rise and dissipation of migraine in music. I don’t know why anyone would need to have that expressed to them musically. But it was all I had.
And I get that. Had ‘em as a kid, and spent many days in a dark bedroom with a cold washcloth draped over my forehead. But it’s still unlistenable to me, and the prevailing factor in this tier of my rankings is “how quickly do I want to skip through this song?”. Sorry, Jeff. Rules are rules.
92. Shake it Off (Sky Blue Sky)
PV – 91 | CG – 85 | KP – 82
High – KP (82) – Well aren’t I full of sunshine so far here in the bottom ten? The vocal and lonely guitar work well, and I like the build. It’s only my overall disdain for Sky Blue Sky that kept this from being even higher.
Low – PV (91) – Do you remember that Will Ferrell “Bad Doctor” skit on Saturday Night Live, where it was clear that the show was five minutes short and Ferrell said, “Give me a lab coat and Chris Parnell and I’ll fill that time, no need to script”? Well, “Shake it Off” is the Wilco version of that, only Jeff Tweedy isn’t that good at improv. It’s a herky-jerk hodgepodge of guitar chords and ever-changing meters, with lyrics that appear to be random observations made in a hotel room (pretty sure at one point Tweedy sings “I love lamp”) followed by “Gonna shake it off” shouted approximately 73 times, and it goes on for FIVE MINUTES AND FORTY-THREE SECONDS. It’s the first true filler song on a Wilco album since A.M., and the saddest part is it comes in the middle of a truly wonderful run of songs in the first two-thirds of Sky Blue Sky.
And yet, it’s still better than the fuzz of “Less Than You Think”.
91. Radio Cure (Yankee Hotel Foxtrot)
PV – 73 | CG – 84 | KP – 88
High – PV (73) – This song is a slow burn, an introspective look at the communication between a couple slowly fading toward oblivi…OK, it’s not that good, but the rising tide of YHF raises all boats. It’s kinda long, and it’s fuzzy, and it’s not particularly interesting musically. I might have it ranked a bit high, though KP’s thoughts on the chorus are spot-on.
Low – KP (88) – The previously mentioned Mrs. HD saw our bottom ten and isn’t very happy with me about this one. I like this song when I’m feeling despondent and have a good window to look out of, not so much when I’m craving stimulation. I will say this: “Distance has a way of making love understandable” is one of Tweedy’s top five lyrics.
90. It’s Just That Simple (A.M.)
PV – 85 | CG – 87 | KP – 73
High – KP (73) – This is the first A.M. song and so I’ll make sure it’s clear that I’m an A.M. junky. It’s one of my least favorite on the album but listening as I write this I still think it’s a solid song. I hate pop country but I love western twang.
Low – CG (87) – As I mentioned in the podcast, as I refined my rankings for this project, the A.M. songs kept slipping and slipping. It was probably just how the songs hit me on the particular days I was working on this thing. I actually kind of like this song, as I like just about any song featuring a pedal steel.
Mid – PV (85) – This is the thing I don’t get with about half of A.M.: If I wanted to hear this, I have No Depression and Anodyne and Whiskeytown’s Faithless Street, where it’s done better. This is about the time on that album where I skip to “Passenger Side”.
89. Everlasting (Wilco (The Album))
PV – 77 | CG – 83 | KP – 85
High – PV (77) – Since Yankee Hotel Foxtrot, Tweedy’s tried to finish off every album (including even the live album Kicking Television, oddly enough) with a complete change of pace. There was “Reservations”, and then “The Late Greats”, followed by “What Light” “On and On and On” (that’s what I get for working from memory). And so we get “Everlasting” at the end of the most recent album, a song that takes a swing at doing the same introspective philosophy thing that “What Light” so successfully accomplished, and it doesn’t really work. KP’s right that the Philosophy 101 lyrics don’t help the cause, but at least it has a nice fade over the last 45 seconds or so.
Low – KP (85) – What is even going on here? “Everlasting…everything…nothing could be anything…” To paraphrase one of my favorite songs: Musical philosophers don’t know nothing, about my understanding of the universe. This is painfully empty poetry.
88. You and I (Wilco (The Album))
PV – 70 | CG – 82 | KP – 91
High – PV (70) – I really like this song. There, I said it. It might be the Wilco version of “Nothing’s Gonna Stop Us Now“, and it might have an overly-simplified view of love and relationships, especially for a band that had so effectively tackled issues of domestic abuse and despondency not that long before (“Oh I don’t wanna know and you don’t need to know that much about me” is not exactly the strongest foundation upon which to build a constructive relationship, Tweeds). But Tweedy and Feist just work well together — it’s lost in all the bullshit iPad advertisement stuff, but Feist has a phenomenal voice — and it’s only three minutes and change of fluff. It’s a nice little song, and Kevin should just stop being a hater on that album and enjoy it.
Low – KP (91) – Wilco (The Album) the album just doesn’t speak to me. This sounds like a pop song from the 40′s only with less soul.
87. Blue Eyed Soul (A.M.)
PV – 80 | CG – 91 | KP – 66
High – KP (66) – I hate you guys so much. This song is awesome, has previously mentioned twang, and besides fits in with the rest of the album seamlessly.
Low – CG (91) – Always felt like a throw-away track to me, as if you couldn’t tell by the #91 ranking.
Mid – PV (80) – Has a bass drum ever derailed a song? Because that first thud fifteen seconds into this song (certainly not helped by the understandably cheap production on this album) derails the entire thing for me. By the end of the first chorus, I’ve already turned on “Misunderstood”.
86. Dash 7 (A.M.)
PV – 82 | CG – 92 | KP – 61
High – KP (61) – Looking back, A.M. was ranked in clusters, this track, “Blue Eyed Soul” and “I Thought I Held You” are all within six spots on my list. I rewarded continuity and miss the days (1995 included) when I could listen to a full album and feel some sense of place and time. I’m now channeling a cranky Rolling Stone editor or thinly veiled, bitter record label executive but Tweedy left Uncle Tupelo for a reason and he had a lot of good pent-up songwriting inside of him at the time of disbandment.
Low – CG (92) – If you’ve never had the horror of flying on a puddle-jumping prop plane, this song might not resonate. “I found the way those engines sound /
Will make you kiss the ground / When you touch down”. Sure does.
85. I’m a Wheel (A Ghost Is Born)
PV – 74 | CG – 81 | KP – 80
High – PV (74) – I’ve always thought A Ghost Is Born is Tweedy’s attempt at making a late-period Beatles album, right down to the all-white album artwork (See it? Yeah you do.) And, if you’re going to do that, you have to have something that’s stilted and and disjointed and all over the place, like “Everybody’s Got Something To Hide Except Me And My Monkey”. Here it is.
Low – CG (81) – And now I’m already regretting my rankings, because this should be much lower on my list. What a hot mess this thing is. This should be my #92, not “Dash 7″. I feel like I should send A.M. flowers or something.
Mid – KP (80) – The most embarrassing part of this project so far is that none of us ranked this song in the 90s.
84. Solitaire (Wilco (The Album))
PV – 64 | CG – 77 | KP – 84
High – PV (64) – It’s funny, I never get past this point on Wilco (The Album) because I hate “I’ll Fight” so much. Seriously, on my iTunes, this has 14 plays and the next three songs are all blank. Anyway, “Solitaire” is OK, channeling the story of independence and loneliness through a card game, and looking back at how foolish it was to stand up against the world alone, even if the band was better when it was telling us how to fight that loneliness instead of how stupid loneliness can be. Whatever’s going down will follow you around, so just laugh at every joke. Or get married and stuff, you stupid loner.
Low – KP (84) – Another song where (and keep in mind I’m a song guy) all I hear is “muh muh muh, dun dun dun, bum bum.” And then it ends so abruptly I lose track of what I was doing to amuse myself to get through having to listen to it.






